For those who missed it last Friday, while I was editing the
current book, Aliya Whiteley and I had an impromptu chat/interview over Twitter.
This wasn’t planned, in fact I recall it started because I wanted – needed – to
be distracted by the non-creative, functional blitzing of draft 5 of ‘Stranded
Rooms’. And I threw out the statement:
@MFWC ‘So here
I am, on my pre-sub draft of current book. At no other time during a project am
I as accessible. That kinda means, I don’t mind distractions. It’s the mundane
task of correcting grammar, style and continuity.’
And that’s when Aliya
called in…
~
copyright Aliya Whiteley, Unlikely Stories.org |
Yeah, Aliya is a great writer. Let’s leave it at that,
because like I said before, you should
know. You should pick up either The
Beauty, or Witchcraft in the Harem,
and just as you might take a lover’s hand while you step under the ivy covered
arch into that place you can’t really see from afar, you really won’t expect this.
As I didn’t:
@AliyaWhiteley:
…Hello! *waves*
@MFWC: Hello right back at ya - glued to the
laptop too? Writing perchance?
@AliyaWhiteley: Yep, scribbling away as ever. Default
setting. I hope the editing goes well - it's my least favourite bit.
@MFWC: It’s usually my least fave too, but
this time it’s been quite enjoyable. What are you working on? Can you divulge?
@AliyaWhiteley: Just finished the edits on the new
novella, coming out May. Historical fiction/SF crossover - I loved writing it.
What about you?
@MFWC: That sounds very cool. And as ever,
the kinda thing I want to read. I want to know more! Tell you what, I’ll ask 5
questions about the new book. Is that ok?
@AliyaWhiteley: Okay, go... ;)
@MFWC: (in the tone of Comic-book Guy)…
Question the first: What’s the title of the new book?
@AliyaWhiteley: It's called 'The Arrival of Missives' and it took me ages to come up with that.
At one point I mooted 'Of Rocks and Responsibility' ;)
@MFWC: Hahaha - I love that second title.
That’s great.
@AliyaWhiteley: If it was an Austen mashup it would
have won, but it's not quite that era...
@MFWC: Having said that, ‘The Arrival of Missives’ is a damn fine
one too. And it’s so intriguing. Ok, Question 2 (cos I’m very intrigued now),
who is your main character?
@AliyaWhiteley: I love her, she's called Shirley Fearn
and she's a precocious teenager who's in love with her mysterious schoolmaster.
Who limps.
@MFWC: Ok, as this is SF too, (and I might
point out, ‘Aliya Whiteley’ SF) I can see this heading to unlikely places...
Question 3, without giving too much away, what’s the backstory to the
schoolmaster, and his limp?
@AliyaWhiteley: Well, this is 1920 and he's been in
the wars. In one war in particular. And the experience has... um... changed
him. Somewhat.
@MFWC: Yep, that’s it. Well hooked now. I
could dig further, but that’ll be too many spoilers, so…To question 4: with
this story, which came first, the idea or the love of the genres?
@AliyaWhiteley:
Shirley's voice came first and then I
tied her DH Lawrence. I've always wanted to write something Lawrence-ish....
...but hist fic is
scary, so I had to find the courage to take a crack at it. The plot then went
where it wanted (my plots always do).
@MFWC: DH Lawrence SF? When CAN I buy this?
Yeah I know what you mean with hist fic. It’s like walking amongst barbed wire
and landmines whilst listening to heavy metal. Too many traps. And way too many
distractions. With my first hist fic books I got buried by the research.
@AliyaWhiteley:
Great description! Yep.
@MFWC: Question 5 then: having written in the
historical fiction genre do you think you’ll go there again?
@AliyaWhiteley:
I would, I feel braver about it. But
it's not my thing. I don't think I have a thing. A genre. I just go wherever it
takes me.
@MFWC: That’s what I love about your writing.
When you pick up an Aliya Whiteley story, you only know that it will be great.
@AliyaWhiteley:
Aw, thank you. Happy to have being
great as my thing, then. ;) I see you have managed to neatly sidestep the
question of what you're working on! Is it still in the secret stages?
@MFWC: Not
entirely - but if you want you can ask some questions...
@AliyaWhiteley:
Goodie! 1. What's the title of your
current project?
@MFWC: Well, it’s a working title, but it’s a
working title that hasn’t gone away for nearly two years: ‘Stranded Rooms.'
@AliyaWhiteley:
I like that. 2. I'm guessing genre
fiction, am I right? SF/F/Horror?
@MFWC: Yeah, all three genres really. It’s a
present day setting, but it goes everywhere (literally).
@AliyaWhiteley:
Intriguing! 3. Tell me something about
your main character(s)...
@MFWC: There are two. He’s a foppish, wayward
guy in his 20’s who’s become a little lost... He ends up in an old shared
industrialist’s mansion called Thunderclap House. The second character, Alex,
has a complex history, a little enigmatic, but she has a very strong character.
When I set out to write it, Edward was the only main character. Now, it looks
like Alex is the one driving the story forward.
@AliyaWhiteley:
I like the way the story can surprise
you in the writing sometimes. And Thunderclap House is a most excellent name.
@MFWC: Ha, yeah, and this story has really
surprised me. I suppose in some ways it is autobiographical. Thunderclap House
is based on a place Sarah and I lived in ten years ago. An old steel baron’s
mansion.
@AliyaWhiteley:
Wow, sounds like a good place for a
writer to live in! To let it sink into your bones...
@MFWC: Lol. The damp did! But yeah, it was
fantastic. The rooms were cavernous. But it was so cold. Most of the time I was
huddled over the computer with three jumpers and thermos. I was writing The Secret War then.
@AliyaWhiteley:
And I always thought your great
imagination provided that authentic Napoleonic feeling of soldiering on through
dire conditions!
@MFWC: Ha, yes. Well the damp helps. I came
close to getting trench foot too while living there!
@AliyaWhiteley:
4. To what extent does this novel have
a message? Do you ever write with a message in mind, or is that the
subconscious bit?
@MFWC: I think there are two things going on
with the message. I want people to have fun with my stories so I don’t labour a
message. But there are definitely messages in this about craving adventure,
going out and doing things with your lives... There’s a character in this story
that has agoraphobia but is in denial, for instance. During the day-job I meet
people - too many actually - who have not fulfilled their potential for
numerous reasons. It’s sad. I suppose this book is about that. Through
catastrophic accident, they become more important than they ever expected.
@AliyaWhiteley:
I want to read it! It sounds driven.
5. Now you're at the end of it, are you happy with it? (Are you ever happy with
a book? :))
@MFWC: I’m never happy with the book. Even
when it’s published, I want to do another draft! But with this one, I’m the
happiest I’ve been. Which is unusual considering the size: at the moment it
stands at 700 pages.
@AliyaWhiteley:
Wowie!
@MFWC: It’s a little overwhelming when I look
at the page count. Like looking at a mountain or one of the ‘Unghar’ in the
story.
@AliyaWhiteley:
I want to know what an Unghar is.
@MFWC: Thats 6 questions...
@AliyaWhiteley:
I knew you'd say that! Well then, I
will just have to wait until I can read it...
@MFWC: Ok, just this once, think of an
‘Unghar' as a cycloptic ‘Treebeard’ the size of a mountain, who likes squishing
people.
@AliyaWhiteley:
This sounds like my kind of story.
@MFWC: I hope
so! It was so much fun to write. I could be as bonkers as I wanted to. The
worlds in this book are utterly mad.
@AliyaWhiteley:
Right then, back to it, we must get
together in person some time! Will hassle the MNWers for a lunch date.
@MFWC: Sounds good. And thank you - this was
a lot of fun. Should do it again!
@AliyaWhiteley:
And I'm sure it's been excellent
research for something... ;)
@MFWC:;)
So there you are… this wasn’t planned, nor was it
expected, but I feel better for it. It reinvigorated the reasons for writing, which can be as important as the writing itself sometimes. It can also be very surprising. I didn't think about messages too much while writing the current book. So it just goes to show, you really don't know what is around the next page… much like reading AliyaWhiteley’s work, I might add!
Footnote: I did
do my writing for the day, if my editor is reading this. I managed to drill
through twenty thousand words, and that’s with a half hour chat being conducted
on-line over Twitter. I guess not all social networking is a ‘dead-letter’
distraction for the writer.
Some of it… Well, hell, some of it can be the match that
lights a fire, you know?